New online course

Going Big

with Rosa Roberts

Small Studies to Big Statements

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Lifetime Access | Online Course

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Scale Up Without Losing What Made It Work

Rosa Roberts’ paintings are radiant at any size. The marks stay loose, the color stays alive, and nothing looks labored — even on canvases taller than she is. That vitality is the hardest thing to carry across when you scale up, because energy that felt effortless on a small study can turn timid and stiff at size. This course is a look behind the curtain at how Rosa holds onto that energy.

What You'll Experience

Go inside Rosa’s studio as she takes a single small study all the way to a finished large canvas — choosing it, sizing it, stretching it, building a textured surface underneath it, and painting it. Every stage filmed. Nothing skipped.

Two women working with art supplies on a table in a studio with colorful paintings and cameras around.

What You’ll Learn

How to read a small study and know whether it’s strong enough to scale

Calculating dimensions and ratios so your composition survives the jump

Stretching your own canvas, and why tension matters more than you’d think

Building a textured surface that gives the painting depth and physical presence

Alternative texture techniques for when you want a different quality of surface

Layering gesso, base color and underpainting so the canvas has life before you begin

Scaling a mark: finding the gesture that carries the same energy at size

Balancing by eye, stepping back, and knowing what the painting needs next

Finishing and sealing your work

What's Inside

Thirteen modules that follow one painting from first decision to final mark — filmed in Rosa’s studio, in the order you’d actually work.

 Introduction & Welcome

Meet Rosa and find out what going big gives you that working small can’

Rosa’s Creative Approach

Why she always works small first, and what that gives her by the time she reaches a large canvas.

Tools & Materials

Everything on the bench, plus the substitutes that work just as well if you don’t have it.

Choosing What to Scale Up

Rosa lays out several studies and narrows to one, narrating the decision as she makes it.

Dimensions & Scaling Ratios

The calculation worked through live, with a downloadable scaling checklist.

Stretching the Canvas

Assembling, cutting, stapling and tensioning — assuming you’ve never done it before.

Sub-Composition & Surface Build

The heart of Rosa’s practice: building the textured layer that everything else sits on.

Alternative Texture Techniques

Other ways to build a surface, and what quality each one gives the finished piece.

Gesso

Why the step matters, and what happens to the work if you skip it.

Base Layer

Broad strokes following the contours of the texture, translating the tones of the study.

Underpainting

Placing anchor shapes by proportion and eye rather than rigid measurement.

Scaling Marks Up & Top Painting

The longest module in the course — mark-making at size, flowing into the full top painting.

Finishing & Sealing

Fixative, drying times

Summary & Next Steps

Pulling the process together, and how to build a series from here.

Meet The Artist

Rosa Roberts

Rosa Roberts is a British painter whose work is drawn to the vitality of growing things — foliage, fruit, plants and tropical motifs, painted in rich jewel colors with bold gestural marks. Her paintings begin with observational sketching, then move through many iterations before a composition settles and earns a large canvas.

Her surfaces are as considered as her color. Layers of collage and cardboard are worked into the canvas before any paint goes down, creating a ridged, uneven ground that interrupts every mark made on top of it. It is the most time-consuming part of her process and the reason her work is recognizably hers.

“I love going small first because it gives me real command of the composition.”

Rosa has taught with Arteway before, but this is the first time she’s shared her process for working at scale.

Woman in paint-stained apron sitting on chair against white wall with red artwork.

Who This Is For

Artists whose large work never quite carries the energy of their small work.

Painters curious about collage, texture and building a surface with real presence.

Painters with a study they love and no idea how to make it work larger.

Students of Rosa’s previous courses, ready to take those same instincts somewhere much larger and see how they hold up at scale.

Whatever your starting point, this course will push the boundaries of your practice.

Stacked painted cardboard pieces arranged vertically on a shelf with colorful edges visible.

What’s Included

Lifetime access and downloadable materials list

mockup Going big with Rosa Roberts | Arteway
Bonus modules to go deeper into Rosa’s practice
Ask Rosa questions directly in the comments
Downloadable scaling checklist
Private student community

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Normal Price: $147

Today's Price: $67 USD

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We're confident you'll love this course. If you give it a try and feel it's not right for you, just contact us within 14 days of purchase and we'll take care of you. Enroll with confidence.

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FREE! Bonus ($105 value)

Included with every order

Studio Tour

$35 value / FREE!

Get an intimate look at Rosa’s real workspace — the tools, materials, and energy that shape her art.

Overcoming Scale Anxiety

$35 value / FREE!

The fears students bring to large work, why they make sense, and why a layered process makes them survivable. Nothing is unfixable.

Formative

$35 value / FREE!

Three influences that shaped how Rosa sees and works, told in her own words — including the trip that led to a technique she’s used ever since.

Close-up of colorful abstract painting on corrugated cardboard panels with textures and brush strokes.

FAQ

Straightforward materials — canvas and stretcher bars, gesso, paints and brushes, oil pastels, and cardboard, glue and pins for the surface build. Much of it comes from the hardware store. A full materials list is provided.

No. Rosa’s process is structural and taught step by step, and it’s designed to be followed no matter where you’re starting from.

Rosa shows you how, and explains why she prefers it — the tension has to be tight enough to support the texture you add. A pre-stretched canvas will still work.

Rosa works large in the course, but the process applies at any scale. Start with whatever size feels like a stretch for you.

You need enough space to lay a canvas flat and step back from it. Rosa recommends around three metres of step-back distance if you can manage it.

Pre-recorded, so you can work at your own pace and return to any stage as your painting develops.

Lifetime access — yours to keep.

If you give it a try and feel it’s not right for you, contact us within 14 days of purchase and we’ll take care of you. Enroll with confidence.