
New online course
Loosen the Landscape: Land & Sea
with Sam Rudd
Finding, Abstracting & Painting the Landscape

Special Launch Discount Ends:
Paint Loose. Suggest, Don't Describe.
You've stood somewhere beautiful, a coastline, a field, a late afternoon sky, and picked up a brush. Then spent the next hour trying to get it right. The lines too careful. The colours too literal.
Sam Rudd's process starts in the opposite direction: loose marks, limited colour, and a gut-feel for what the painting needs next. Suggestion over description. Instinct over control. Happy accidents welcomed
What You'll Experience
You'll step into Sam's countryside studio and follow her complete process — from the first outdoor sketch to a finished series of paintings on paper and canvas. This is process-led learning at its most honest: you'll see Sam make decisions, change her mind, recognise a happy accident, and keep it. The atmosphere is relaxed, the teaching is direct, and by the end you'll have built a full series of your own.




What You’ll Learn


Why working in a series removes pressure — and how to use it to paint more freely
How to suggest rather than describe — a building, a tree, the edge of the sea — with a single mark
Why colour doesn't need to be realistic — and how muted tones and selective brightness give a painting its atmosphere
How to switch tools constantly and why it keeps the surface alive
How leaving white space — unpainted paper, open areas — can say more than another layer of paint
How to recognise a happy accident and have the courage to keep it

What's Inside
Carefully crafted modules that take you inside Sam's complete process — from a first sketch in the landscape to a resolved series of paintings on paper and canvas.

Introduction
A warm welcome from Sam — who she is, how she works, and the one question she gets asked most often: how do you make it so loose? This is where that answer begins.

Sam's Creative Approach
Sam shares her artistic philosophy before a brush is lifted. Her journey from 15 years in illustration and textile design into painting. Why she works in series. Why she always keeps music on. Why happy accidents aren't accidents at all.

Gathering Inspiration: Field to Studio
The step most courses skip. Sam goes into the landscape with a sketchbook — showing you what she's actually looking for, how she sketches quickly and intuitively, and how she brings that material back to the studio wall before a single mark of paint is made.

Tools & Materials
A natural, demystifying walkthrough of everything Sam uses — paper, canvas, a limited palette, and a collection of mark-making tools you mostly already own. The message: less is more, and the tool changes the energy.

The Paper Series (Painting Module 1)
The heart of Sam's process. Six sheets of paper, worked simultaneously, in a relaxed studio mindset. Sam shows you how to make the first marks, move between paintings, switch tools every 30 seconds, and let the series find its own momentum.

Series on Canvas: Day 1
Sam opens three canvases — 50×50, 80×80, and 1m×1m — and starts all of them at once. Base layers, colour decisions, first marks, and the physical rhythm of working across a full series. Day 1 ends when the paintings need to dry, not when they feel done.

Returning & Building: Day 2
The most valuable module. Sam returns with fresh eyes, reads each canvas out loud, and makes the decisions that move the paintings from raw to resolved. Transparency vs opacity. Negative space. Finishing marks. Knowing when to stop.

Summary & Closing
Sam reflects on the full journey — from landscape to series — and leaves you with the one thing she most wants you to carry forward into your practice.
Meet The Artist
Sam Rudd
Sam Rudd is a painter based in Cheshire whose work sits at the intersection of landscape and abstraction — loose, expressive paintings that feel like a place rather than describe one. The sea, the fields, the shifting light of the English countryside all live inside her canvases, translated through mark, colour, and instinct rather than careful observation.
Before coming to painting, Sam spent fifteen years as an illustrator and textile designer. The move wasn't immediate — it began quietly, painting again just for herself, for pleasure. "I had to change my mindset a lot — to be much more free and loose. It became less about communication and more about expression."
“The more you create, the more confident you become in calling yourself an artist."
That background in illustration and textiles didn't disappear — it became part of the work. The drawing lives beneath every surface she makes. The mark-making carries the rhythm of someone who has spent years thinking about pattern and line.
"How do you make it so loose?" — the question Sam's audience asks most often. This course is the full answer.
This is the first time Sam has brought her complete process — from sketchbook in the field to finished canvas series — into an online course. If you've wanted to loosen your painting and find the feeling in the landscape, this is where you start.


Who This Is For
Painters who feel their work is getting tight, careful, or overworked — and want to find a freer way in
Students who've always loved landscape but struggle to capture atmosphere, not just accuracy
Artists from illustration, design, or textile backgrounds who are transitioning into painting and want to make the most of what they already know
Anyone who has looked at expressive, semi-abstract work and wondered: how do they actually do that?
Beginners who want to start the right way — with process, not perfection
Whatever your starting point, this course will change how you see the landscape — and how you put it on the canvas.

What’s Included
Lifetime access to all modules and any future updates

Downloadable materials list so you can get set up before you begin
Three bonus modules — studio tour, monoprinting basics, and Sam's transition from illustration to painting
Access to Arteway's private student community
Ask Sam your questions directly in the course comments
Join Loosen the Landscape
Save for a limited time only
Normal Price: $147
Today's Price: $67 USD
Launch discount expires soon!

100% Satisfaction Guaranteed
100% Satisfaction Guarantee
We're confident you'll love this course. If you give it a try and feel it's not right for you, just contact us within 14 days of purchase and we'll take care of you. Enroll with confidence.
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FREE! Bonus ($105 value)
Included with every order

Studio Tour
A walkthrough of Sam's working studio — how it's set up for series painting, what's on the walls, what's drying, and how to create a space at home that works for you.

Monoprinting Basics
An introduction to the most accessible form of printmaking — the monoprint. Sam shows how her printmaking background bridges directly into her painting practice.

Transition from Illustration to Painting
A candid, personal module about Sam's move from 15 years of illustration and textile design into painting. What she had to unlearn — and what she was glad she already knew. Especially meaningful for students coming from a design or illustration background.

FAQ
Sam works with a limited palette — plus a selection of brushes, a palette knife, and simple mark-making tools like cardboard and a credit card. She'll walk you through everything in Module 4. You don't need expensive or specialised materials to get started.
No. Sam's approach is process-led and intuitive, which makes it accessible to complete beginners — but the depth of her teaching means experienced painters will find just as much to work with. If you can hold a brush, you can do this course.
All modules are pre-recorded and available to watch at any time. You can work at your own pace, revisit modules as often as you like, and pause to paint whenever you need to.
Lifetime access. Once enrolled, the course is yours to return to whenever you want — whether that's next week or in two years.
We offer a 14-day satisfaction guarantee. If you're not happy with the course for any reason within the first 14 days, contact us and we'll refund you in full — no questions asked.
Especially so. Sam spent 15 years as an illustrator and textile designer before painting full-time, and Bonus Module B3 is dedicated entirely to that transition. She'll talk you through what carried over, what she had to unlearn, and how to make the most of what you already know.
